[Visual]

A dimly lit, modern living room at night. Large glass windows in the background look out onto a dark city skyline. A Sony BRAVIA television is mounted in the center, flanked by two green mid-century modern armchairs, a wooden sideboard, a round glass coffee table, and a vintage-style studio lamp. On the screen, a high-contrast cinematic shot of a young girl's face is shown against colorful bokeh lights.

 

[Text]

SONY logo in the top-left corner.

BRAVIA logo on the left side of the screen and True RGB logo on the right side of the screen.

 

[Audio]

Soft, swelling synth music begins, setting an immersive and atmospheric tone.

 

[Voice Over of Lawrence Sher]

When we color..."

 

[Visual]

Cut to a production crew in a dense, mossy, wet forest. Crew members wearing winter jackets, caps, and rain gear are gathered around camera equipment. Yellow production lights cut through the dark forest canopy.

 

[Text]

SONY logo remains in the top-left corner throughout.

 

[Voice Over of Lawrence Sher continues]

...at huge facilities, and then when it goes out to…

 

[Visual]

A camera monitor displays a close-up of a young girl with curly hair, wearing a gray-and-beige knit beanie, looking directly into the camera lens with a neutral expression.

 

[Visual]

Close-up of crew members adjusting a camera gimbal and monitoring audio.

 

[Visual]

Cut to an interview with writer and director Lawrence Sher. He is sitting in a dark studio setting wearing a light gray knit sweater, speaking towards an off-camera interviewer. A warm, circular studio light glows behind him to the right.

 

[Text]

Lawrence Sher | Writer & Director

Joker, Godzilla: King of the Monsters, The Hangover, The Bride!

 

[Dialogue of Lawrence Sher continues]

...people's homes, there's a huge gap, unfortunately.

 

[Visual]

A bright, sunny, high-contrast shot of a coastal landscape. A young girl wearing a red jacket and a blue backpack runs along a rocky trail bordered by dry trees. The ocean in the background is a brilliant, glowing turquoise.

 

[Visual]

The girl reaches her mother kneeling on the rocks. They hold hands and look out together toward the vibrant teal water and white sand beach.

 

[Visual]

Medium shot of the girl and her mother kneeling on the rocky ledge, smiling and touching noses affectionately.

 

[Visual]

Low-angle shot looking up at the young girl against a bright, clear blue sky. The golden sun shines directly behind her head, creating a radiant lens flare across her plaid dress.

 

[Voice Over of Lawrence Sher continues]

The extreme power of this new television, and its True RGB technology, has solved that problem.

 

[Visual]

Cut to an interview with writer and director Zach Shields. He is sitting cross-legged in a high-rise office at night, wearing a black-and-white patterned crew neck sweater. Warm city lights twinkle through the windows behind him.

 

[Text]

Zach Shields | Writer & Director

Godzilla: King of the Monsters, Lady in the Lake, Krampus

 

[Dialogue of Zach Shields]

You want to be immersed in the experience, and…

 

[Visual]

Back in the lush green forest. The young girl, wearing a yellow knitted sweater, headphones, and a beanie, holds a shotgun microphone with a grey wind muff high above her head to capture nature sounds.

 

[Visual]

Slow-motion tracking shot of the girl eagerly walking through ferns and underbrush, pointing the microphone.

 

[Visual]

Close-up of the girl standing still among moss-covered trees, closing her eyes to fully absorb the surrounding natural audio.

 

[Visual]

Wide shot from behind the girl as she kneels in front of a small, cascading waterfall deep within the rainforest, raising her hands to catch the mist.

 

[Voice Over of Zach Shields continues]

..because it's 360, this sound does that. You feel like you're inside the environment.

 

[Visual]

A tight shot of the girl looking out of a car window at night, illuminated by passing blue and amber neon streetlights. Raindrops crawl down the window glass. The shot is reflected as if playing on a high-end screen.

 

[Visual]

Cut back to Lawrence Sher gesturing with his hand during his interview.

 

[Visual]

Close-up of the young girl in the forest looking upward in pure wonder as a bright golden ember or firefly floats past her face.

 

[Visual]

The BRAVIA TV screen floats in a black space surrounded by two sleek, vertical external audio speakers. Golden embers drift out of the screen and float around the room. On the screen, the lush green forest scene plays in hyper-realistic detail.

 

[Text]

BRAVIA

CINEMA IS COMING HOME

 

[Voice Over of Lawrence Sher continues]

It unleashes even more creativity, capturing exactly what we do, reflected at home.

 

[Audio]

The orchestral music reaches a warm, satisfying crescendo.

 

[Visual]

The screen cuts to black.

 

[Text]

Centered, bold white "SONY" logo.

 

[Audio]

The background music fades out, concluded by the classic, soft, two-tone Sony chime.